Writing, for Manto, was a violent transmission (or translation) of reality, where language speaks what it hears, and often fails to digest. Writing was Manto’s indigestible preoccupation. He was not looking for coherence, but instability. Nawazuddin Siddiqui plays Manto the way a refined artist pays tribute to another. His rendering of Manto allows you to reinvent the writer.
A People’s History of Darkness: Humanising the Babri Masjid demolition tragedy
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